Lighting
Who are you?
I'm a 19-year-old Award Winning Lighting designer and technician, dedicated to delivering exceptional results for every performance I work on.
Starting from age 5, my dream then, and still now, is to make it to big stages like Rammstein and make this a full long-term career.
But I'm not just about lighting. I'm also a seasoned professional drone pilot with over 3500 hours of flight experience across various DJI models. As well as that, I'm a Polaroid photographer, film creator and editor.
And let's not forget about this website you're perusing right now!
Additionally, I've taught myself professional website and graphic design, including advertising, copywriting, online store management, domain hosting, and Google indexing. You can see all of my work in all these areas I’ve just spoken about on this very website.
I'm here to help the shows at your venue succeed.


Take a look at my lighting

technical experience…
Below are some examples about some of the styles / methods of lighting I’ve used and worked with during my time as a designer and live op.
Colour Washes and traditional lighting
When designing lighting for diverse performances, I seamlessly merge colour washes and traditional techniques to capture the essence of each musical piece. Transitioning to live funk or fast paced Jazz, dynamic colour washes sync with rhythmic beats, intensifying excitement. My tailored lighting aims to immerse the audience in the artist's performance, creating a visually immersive and a emotionally resonant experience to remember.
live music synchronisation
Incorporating live music synchronisation one of my key specialities in live lighting design and operation. Usually for events with dynamic musical performances, this technique involves precisely timing the lighting cues to the rhythm and mood of the live music, creating a seamless fusion of auditory and visual elements. By incorprating this skill into my work, the audience experiences an immersive and harmonious connection between sound and visuals, amplifying the impact of the live performance.
Strobe
Only for high-energy concerts like Hip-Hop, some types of Jazz or Funk, I incorporate strobe lighting to punctuate the intense finale solo moments at the end of a performance to peak the experience. Strategically timed exactly with the live sound, strobes add a burst of energy, creating a visually impactful and immersive experience for my audience, ending the night on a high.
naturalistic lighting
Usually I use this skill in traditional classical performances to authentically recreate outdoor environments on stage. Mimicking the natural qualities of light, it involves subtle variations to enhance visual storytelling. This method creates an immersive stage environment, connecting the audience with the narrative on a visceral level.
Backlighting
You’ll come to find that I utilize backlighting in almost all my shows. I employ this technique to introduce a unique and special design element to make a performance visually distinctive and captivating from the start. Focusing lights behind performers on the wall to create limitless projections, backlighting always adds depth and visual engrossment, greatly enhancing the overall aesthetic of a performance.
area specific lightng
Implementing area-specific lighting, I strategically illuminate distinct sections of the stage to tailor the visual experience for the audience. This approach involves precisely directing light to specific zones, ensuring each area receives customised illumination. By utilising this method, I ensure that all performers on the stage receive adequate lighting, preventing harsh shadows and colour imbalances that could otherwise make them appear out of place and seem out of place in the performance. This approach contributes to a visually cohesive presentation by having grid specific spotlight on the stage to maintain a balanced illumination across the entire stage.